"In his still life series Gersht investigated the relationships between photography, technology and optical perception, at a pivotal moment in the history of photography where digital technology both threatens a crisis and promises a breakthrough. Research into the early history of the medium of photography is brought together with theoretical discourse, creating, still image and films that (literally) explode the genre of still life, the beautiful and destructive results captured using cutting-edge technology. In "Pomegranate", a film that references Juan Sanchez Cotan’s 17th-century still life and Harold Edgerton’s stroboscopic photography, a high velocity bullet flies across the frame in slow motion and obliterates a suspended pomegranate fruit, bursting it open and wheeling it slowly into the air like a smashed violated mouth spraying seeds. A peaceful image is transformed into bloodshed, and a dialogue is established between stillness and motion, peace and violence.Gersht’s photographs and films provide a meditation on life, loss, destiny and chance.